Adam Clayton: Stage and Studio
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New Gear | news

NEW GEAR | 2014

BASS | GUITARS

WARWICK


Construction: Bolt-on 
Matched Headstock: No
Machineheads: Warwick 
Nuts: Just-A-Nut III Brass
Neck Wood: Maple 
Fingerboard Wood: Rosewood
Fingerboard Inlays: Dots 
LEDs: No 
Fingerboard Radius: 9 1/2" 
Scale Length: 34" 
Frets: 21 
Body Wood: Swamp Ash 
Pickups: Passive SD SPB-3 
Electronics: MEC passive 
Control Knobs: Standard 
Bridge System: Warwick standard 2 pcs 
Strap Locks: Warwick security Locks 
Hardware colour: Chrome 
Weight: 3,4 kg 
Finish: Gold solid HP 
Special Features: Dots inlays 
  Alternate neck and fingerboard wood

SADOWSKY

SADOWSKY | Will Lee Model | Green Sparkle
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2011 / 2012

  • SADOWSKY | PJ | 2012 | * finish uncertain *
  • SADOWSKY | WILL LEE | 2012 | Sherwood Green Sparkle
* Sadowsky has provided Adam with (4) new bass guitars (thus far). Two are listed above. Details forthcoming on the other two Sadowsky bass guitars *
 

NEW GEAR | 2011

AMPLIFIERS | CABINETS

AGUILAR | Tonehammer 500 | amplifier
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2011

  • AGUILAR | Tonehammer 500 | amplifier
  • AGUILAR | SL 112 | cabinet

BASS | GUITARS

WARWICK | Reverso | 2011 | Candy Apple Red
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AGUILAR | SL 112 | cabinet

  • FENDER | Custom Shop | Adam Clayton Signature Precision | 2011 | Gold Sparkle\
  • WARWICK | Reverso | Signature model | 2011 | Candy Apple Red

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NEW GEAR | 2010

BASS | GUITARS

  • WARWICK | Reverso | Signature model | 2010 | natural 
  • WARWICK | Reverso | Signature model | 2010 | Triumph Gold 3-layered High Polish
  • WARWICK | Reverso | Signature model | 2010 | Triumph Gold 3-layered High Polish / Reversed headstock
  • WARWICK | Star Bass | 2010 | Triumph Gold 3-layered High Polish (2-Pickups)
  • WARWICK | Star Bass | 2010 | Triumph Gold 3-layered High Polish (1-Pickup)

NEW GEAR | 2009

AMPLIFIERS | CABINETS

  • AGUILAR | DB 750 | amplifier
  • AGUILAR | DB 751 | amplifier
  • AGUILAR | DB 115| cabinet
  • AGUILAR | DB 410| cabinet

March 2009
 
After seeing the various awards shows, I noticed that Adam Clayton had some new amps. I was curious so I contacted Aguilar to find out what items of there's Adam was using and sent them off some pictures from the shows. Aguilar's response below:
 
Hi Jeffrey,
 
The rig Adam is using in those shots is a DB 750 amplifier with a DB 410 cabinet and a DB 115 cabinet (both cabinets in Classic Black).  We appreciate you adding the links.  They are as follows:
 
 
 
 
The heads are kept with his tech off stage for easy adjustment. 
 
Please let me know if there is anything else that we can help you with.
 
Best Regards,
David Avenius
Chief Executive Officer
Aguilar Amplification
 
****  Editors note: Adam has changed FROM the db750 TO the db751 model since the time of this original email.

BASS | GUITARS

  • WARWICK | Buzzard | 200x | black
  • WARWICK | Streamer Stage I | 2009 | brown - [Used for Electrical Storm during early U2:360 performances - 2009]
  • WARWICK | Streamer Stage II | 2009 | natural birdseye finish - [heavily customized w/bigger body - 6-string body with 4-string neck) // 200x // birdeye maple[seen during 2009-07-20 Amsterdam U2:360 show; used for "Sunday Bloody Sunday"] - (More information forthcoming).]
  • WARWICK | Custom Streamer $$ | 2009 | gold glitter sparkle - [w/Seymour Duncan Vintage pickups (Wound personally by Seymour Duncan!) [First seen during U2's appearance at the Nov 5th show at Berlin Brandenberg Gates.] - (Per Warwick: "It is actually a custom Streamer $$, with maple fb wood, black block inlays, maple neck, swamp ash body, custom wired Seymour Duncan pickups, full passive electronics, but with a custom wiring. And a nice special Gold Flake finish.]
  • WARWICK | Stryker | 200x | black
  • WARWICK | Reverso  | Prototype # 1 | 2010 | natural - [(2) sets of mirror/split pickups] - 3-way electronics w/passive mode. both pickups working.
  • WARWICK | Reverso  | Prototype # 2 | 2010 | natural - [(2) sets of mirror/split pickups] - 3-gold knobs in succession. 1-gold knob near neck. 3-way electronics w/passive treble/bass control.
  • WARWICK | Reverso  | Prototype # 3 | 2010 | natural - [(2) sets of mirror/split pickups] - Passive electronics, only. Volume knob. (2) chickenhead/peghead knobs for changing capacitors. Stacked trebel/bass knob. Only the neck pickup is working.

On U2’s recent 3-year U2360° World Tour Adam was backed up by a full complement of Aguilar DB 751 heads and an impressive wall of Aguilar cabinets, bringing Aguilar’s sound to over 50 countries.  “To have Adam now playing through our Tone Hammer ® 500 is further validation that even though it only weighs four pounds,” adds Dale Titus, “the Tone Hammer ® 500 provides a massive sonic experience.”

For more information about the Tone Hammer ® 500 and SL 112 cabinets please visit Aguilar’s newly designed and updated website, aguilaramp.com

2011 Fender Custom Shop
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Adam Clayton signature Precision bass

To celebrate 35 years of providing the low-end for the rhythm section for U2, one of the worlds most successful rock bands, the Fender Custom Shop has released this extremely limited Adam Clayton P-Bass. Only 60 pieces have been built, and they're loaded with features to make this one of a kind instrument not only a looker, but a player as well. With its eye-catching gold sparkle finish and matching headstock, and abalone block inlays, loaded with an Abigail Ybarra handwound P-Bass pickup as well as a Certificate of Authenticity signed by Clayton himself, this is a must for any serious P-Bass or U2 collector.

Fender® and Precision Bass® are registered trademarks of Fender Musical Instruments Corporation.

  • Gold Sparkle Finish with Matching Headstock
  • Hand Selected Alder Body
  • Quartersawn Maple Neck
  • Maple Fretboard
  • Jazz Bass "U" Neck Shape
  • Abalone Block Inlays
  • 34" Scale Length
  • 7.25" Fretboard Radius
  • 21 Vintage Style Frets
  • Custom P-Bass Pickup Handwound by Abby Ybarra
  • Master Volume and Tone Controls
  • Vintage Wiring
  • Vintage-Style Bridge
  • Vintage-Style Tuners
  • Nickel Hardware


Includes: Hardshell Case, Strap, Cable, Custom Care Kit, Paperwork, Certificate of Authenticity

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"So there I was, fifteen years old, with a dark brown Ibanez-copy bass guitar and no amp. I had no idea what I was supposed to do with it. Absolutely none. Not a clue. It just sounded good to me." - Adam Clayton