Bono: Stage And Studio
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1996>1998 era - gear

GUITARS:
  • FENDER - Telecaster - 1972 - candy apple red [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 187]
  • FENDER - Telecaster Custom - early 1970's (probably a 1972) - black finish [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 187]
  • GIBSON - ES175 - 199x - custom blue sparkle finish
  • GIBSON - ES175 - 199x - custom red sparkle finish
  • GIBSON - Hummingbird - 199x - custom red finish (Qty: 2) [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 187]
  • GIBSON - Les Paul Custom - vintage uncertain (pre-1994) - black finish
  • GIBSON - Les Paul Custom - vintage uncertain (pre-1998) - metallic finish
  • GRETSCH - 6119 - Chet Atkins - 1958 - red finish (single p/up) [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 187]

AMPS:

  • FENDER Reverb
  • MESA BOOGIE Maverick [2x12] - vintage uncertain  - "Used for the more 'kerrang-type rock' sounds" - [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 188]
  • VOX AC30 - 198x - Used for clean sounds - [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 188]

CONTROLLERS:

  • CUSTOM AUDIO ELECTRONICS - switching system

EFFECTS:

  • CUSTOM AUDIO ELECTRONICS (CAE) Super Tremolo System - Tremolo
  • DIGITECH 2112 multieffects - Used for 'Staring At The Sun', 'With or Without You' and 'Gone' - [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 188]
  • ELECTRO-HARMONIX Clone Theory (vintage) - Chorus
  • ELECTRO-HARMONIX Deluxe Electric Mistress (vintage) - Flanger / Filter Matrix
  • ELECTRO-HARMONIX Stereo Memory Man (vintage) - Delay
  • ELECTRO-HARMONIX Small Clone - Chorus
  • IBANEZ AD9 - Analog Delay
  • KORG A3 - multieffects - Used mostly for reverbs and tremolo effects for things like "Miss Sarajevo". [Per "Live & Kicking:The Rock Concert Industry in the Nineties" by Mark Cunningham - Page 188]
  • LOVETONE Big Cheese - Fuzz/Distortion
  • LOVETONE Doppelganger - Phaster
  • LOVETONE Meatball - Envelope Filter
  • MXR Blue Box - Overdrive
  • ROGER MAYER Fuzz Mongoose - Fuzz
  • VOX - wah

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