Edge: Stage and Studio

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2004>2006 era - gear

GUITARS:

* PER GUITAR WORLD: SEPT 2005 *
 
  • 1967 Fireglo Rickenbacker 330/12
  • 1966 Cream Fender Telecaster
  • 1966 Lake Placid Blue Fender Telecaster
  • 1966 Mapleglo Rickenbacker 330/12
  • 1962 Sunburst Epiphone Casino
  • 1963 Walnut Gretsch 6122 Country Gentleman
  • 1965 Pelham Blue Gibson SG
  • 1975 Cream Gibson Les Paul Custom (Custom bridge pickup)
  • 1973 Black Fender Stratocaster (Custom bridge pickup)
  • 1976 Natural finish Gibson Explorer
  • 1962 Sunburst Fender Stratocaster (Custom bridge pickup)
  • 1961 Sunburst Gibson ES335TD
  • 200x Blonde Gibson "Pete Townshend" J-200 (w/Fishman bridge transducer)
  • 200x Black (red Vertigo graphic) Line 6 Acoustic 700 Variax
  • 200x Silver sparkle Line 6 Acoustic 700 Variax

EFFECTS:

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RACK EFFECTS:
 
  • AMS SDMX digital stereo delay (w/pitchshifting on one channel for shimmer tone)
  • CAE Dual Stereo Line Mixer (to run effects in series & delays in parallel.
  • CAE Interface to mix shimmer tone and reverb
  • EVENTIDE H3000 Ultra-Harmonizer (multi-effects for various ambient tones)
  • KORG A3 (Multi-Effects unit)
  • KORG SDD3000 (digital delay unit)
  • LEXICON PCM70 &  PCM81 digital reverb (typically using plate reverb setting. Other reverb setting by front of house)
  • LINE 6 DM4 (x 2) Custom distortion modeler
  • LINE 6 POD Pro (used for heavy overdrive tones and Leslie sound for "One".
  • ROCKTRON DVC (used as VCA control unit to remotely control shimmer tone via BOSS FV300L pedal.
  • SKRYDSTRUP MR9 Loop Station (x3)
  • SKRYDSTRUP MIDI Interface
  • TC ELECTRONICS 2290 (x 4) Digital Delay
  • VOX Clyde Wah (converted by Custom Audio Electronics)

STOMP BOXES:
 
  • AMPEG Scrambler (octave fuzz)
  • BOSS CS-2 (compressor/sustainer)
  • BOSS FA-1 FET powered mini-amp (used as booster for Korg SDD3000)
  • BOSS FV300L (to control rack wah and shimmer tone)
  • BOSS PW-2 Power Driver (distortion)
  • DIGITECH WH-1 Whammy
  • DURHAM Sex Drive (compressor/gain pedal)
  • ELECTRO-HARMONIX Big Muff (silicon fuzz / 1970)
  • IBANEZ TS-9 Tube Screamer (primary overdrive)
  • KORG On/Off pedal (to turn on and off various sequences)
  • LOVETONE Meatball (auto wah/dynamic filter)
  • LOVETONE Doppelganger (twin phaser/vibrato)
  • RABB Fuzz Wah (Kay Fuzz in Cry-Baby housing / "Elevation" intro)
  • SKRYDSTRUP Booferooster (clean boost / unity gain buffer)
  • SKRYDSTRUP SC1 Midi foot controller (allowing direct access to all rack mount effects)
  • SOBBAT DB-1 Drive Breaker (distortion)

AMPS:

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AMPLIFIERS: 2005-2006 Vertigo tour

Guitar World magazine (September 2005 – page 64)

·         (2) early `60’s Vox AC30TB amps (main amp and backup)

·         (1) Custom Vox AC30TB head w/Vox 2x12 cabinet [located behind rack]

·         (1) 1956 Fender Duluxe Tweed w/vintage Vox 12-inch speaker

·         (1) 1958 Fender Deluxe Tweed w/original Jensen Alnico 12-inch speaker

·         (1) 19xx Fender Blues Junior (customized) – used for shimmer

·         (1) early `70’s Vox AC30TB w/vintage Jensen Bulldog speakers

 

Total Guitar magazine (November 2005 – page 41)

·         (2) early `60’s Vox AC30TB amps (main amp and backup)

·         (1) Custom Vox AC30TB head w/Vox 2x12 cabinet [located behind rack]

·         (1) 1956 Fender Duluxe Tweed w/vintage Vox 12-inch speaker

·         (1) 1958 Fender Deluxe Tweed w/original Jensen Alnico 12-inch speaker

·         (1) 19xx Fender Blues Junior (customized) – used for shimmer

·         (1) early `70’s Vox AC30TB w/vintage Jensen Bulldog speakers

 

Australian Guitar magazine (March/April 2007 – page 28)

AMPS VISIBLE ON STAGE:

·         (1) `60’s Vox AC30TB amp (w/(1) silver and (1) blue Vox Bulldog speaker)

·         (1) `71 Vox AC30TB amp (Bono’s old AC30TB, with a hole in the speaker cloth due to Bono kicking it)

·         (1) 1956 Fender Duluxe Tweed w/vintage alnico Vox Bulldog 12-inch speaker

·         (1) 1958 Fender Deluxe Tweed w/original Jensen 12-inch speaker

HIDDEN AMPS:

·         (1) `60’s Vox AC30TB converted/customized to a head – reference tone for FOH (w/Vox 2x12 cabinet [located behind rack])

·         (1) `50’s Fender Deluxe Tweed (mic’d at rear)

·         (1) `60’s Vox AC30 (mic’d at rear)

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